Long out of print, we found exactly THREE copies in the lost warehouse!

Etron Fou were one of the premier French avant/progressive bands from 1974-1986, & a founding member of R.I.O.
This reissues the Etron's 1st album, from early 1977. This is certainly their most dada/out album, and I have a real soft spot for it in my heart, but I wouldn't recommend you start here unless your interest is more in general French craziness than in the superb musicality that came...

First-time on CD for this 1987 debut from Ur Kaos (Lach'n Jonsson, Johan Hedren, Mats Paulsson).

"With their subtly nuanced modulations of unresolved tension and atmosphere of sooty desolation, Sweden's Ur Kaos are one of the precious few bands vibrating at an emotional frequency in tune with the resigned doom of This Heat's Deceit. Unlike the visceral immediacy Charles Hayward's grave intonings lent those late 70s mavens of desperation however, Ur Kaos' lyrical intentions can only be guessed...

"Pere Ubu have really come out fighting with Why I Hate Women, racing towards all horizons at full tilt, pushing the experimental envelope further than ever, but also tightening up their trademark avant-punk attack. If St Arkansas saw them rooting around furtively in rock's darkest, dankest corners, on Why I Hate Women Ubu seem to illuminate these secret spaces with firework displays and thousand-watt searchlights. The rhythm section (Ubu's longest serving) of bassist Michele Temple and drummer Steve....

Here is the first-ever vinyl reissue of this landmark album PLUS a second lp of all new stuff.
In the 50 years since this was released, so much has happened, and artists like Keith Rowe and Derek Bailey have become relatively well known, so that the shock of this record back then is hard to imagine now. But as a member of a medium-profile ‘progressive rock band’ on a high-profile ‘progressive rock label’, Fred Frith was watched and known by people who didn’t know Derek from a hole in the ground in...

“Music for the silent movie Schloss Vogelöd (The haunted castle) by Friedrich Wilhelm Murnau, produced in 1921. Recorded live on October 31st and November 1st 2003 at the Staatstheater Braunschweig, Kleines Haus, Germany.”

Tom Djll (all tracks) - trumpet, live-sampling, Serge electronics, keyboards, voice
Ron Anderson - guitar, sampling, 'cello, voice
Myles Boisen - electric guitar
Doug Carroll - amplified 'cello, MIDI-activated sampling
Hillary Double-D - electric guitar, voice
Ed Herrmann - Serge electronics, programming
Fredrick Lonberg-Holm - travicello
Tom Nunn - amplified percussion boards
Thomas Scandura - drumkit
William Winant - drumkit
Jack Wright - alto sa

Long out of print, we found exactly TWO copies in the lost warehouse!

Guitarist Jimmy Agren is a member of the Mats/Morgan Band, the brother of drummer Morgan Agren, and an amazing slide player. His albums are more 'bluesy' than most of what we carry, but if you like the sound of Zoot Horn Rollo on those classic Magic Band albums, then you will find a lot here to like! Most of the tracks are all performed by Jimmy on guitars, bass, drums, harmonica and vocals; all of which he handles pretty stunningl

Long out of print, we found exactly 3 copies. The 2nd release by this band (The Nameless Cult) that features bassoonist Juan Carlos Ruiz, formerly of Nazca, plus piano, violin and French horn/electric bass, plus guests on cello, drums, percussion. For the most part, this is percussionless, and the sound is like the least rock aspects of early Univers Zero. Like Nazcal, this is very influenced by the earliest & most 20th century classical/creepy aspects of U.Z. Certainly a good listen for fans of this...

Cardboard Amanda is the work of Frank Camiola (along with two other musicians), who was one of the driving forces behind the band Frogg Cafe during their most interesting period. After leaving the band, he has been working on this album for a few years now and now it is here. It's a real weirdy; if this released was 30 years ago, all the hipsters would be talking about 'drug-coma induced tape fuckery' when this was re-discovered. For some reason he's using an alias here (sorry if I blew your cover, man!)...

Rod Poole was a experimental guitarist, mostly working with a acoustic Martin guitar, refretted with just-intonation frets.
Originally from the UK, he performed with Derek Bailey as well as in private collaborations with Keith Rowe of AMM.
After moving to the United States in 1989, his studies in just intonation began with instructor, Ervin Wilson.
This is improvised duets in just intonation for guitar and voice and is quite lovely and easy listening for what this is.

“[This

Fay Victor – vocals
Michaël Attias - alto & baritone sax
Anthony Coleman - piano
Ratzo Harris – bass
Tom Rainey - drums

“Acclaimed vocalist-lyricist-arranger Fay Victor & her Herbie Nichols SUNG Quintet celebrate & thoroughly reconsider the rich legacy of jazz composer Herbie Nichols with Life Is Funny That Way, and bring it singing boldly into this century.
Following on Billie Holiday, who famously wrote "Lady Sings The Blues" to Nichols' "Serenade," Victor developed th